In the essay, How It
Feels To Be Colored Me by Zora Neale Hurston, the author tells an autobiographical
story regarding her realization that her color would make others attempt to make
her feel different or less than. Hurston, an American civil rights activist,
novelist and Columbia university alumni, writes this piece in hopes of getting
people to understand that your race should not define who you are. She
describes a younger version of herself growing up in “an exclusively colored”
(Hurston 114) community in Florida. It’s here that Hurston’s splendid use of imagery
comes in as she paints the perfect picture of her childhood, sitting on her
neighborhood gate-post welcoming everyone who passed. While many hid in their
homes watching from the creases in their blinds as white people passed, Hurston
explains how she saw no difference between whites and colored, she only saw people
and welcomed everyone the same. The way she described her neighbors and
environment help readers understand the tension and skepticism between these two
races during this time. She goes on to explain that when she was thirteen years
old she had to move to Jacksonville, Florida and all of a sudden she “was now a
little colored girl” (Hurston 115). Hurston uses a unique style of diction that helps the
reader connect to her childhood self even further. She even describes her life
as “helter-skelter skirmish” (Hurston 115), but refuses to accept that it is any less than
anyone else’s simply due to the pigment of her skin. It becomes fairly clear
that she is speaking to African Americans as she often brings up that fact that
they use their ancestry, the way they are sometimes treated and simply their
color to determine their emotions and their ability in life. However, she
always corresponds those notions with her own thoughts and motivations
convinced that color will not steer her life. Her use of diction, imagery and
connections to her personal mindset all contribute to her success in conveying
her purpose.
"The Skin You're In"
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